Friday, May 5, 2017

Feliz Cinco De Mayo!

"Spanish Guitar" (16x12 cropped)

Another work-in-progress going toward my solo show in Los Angeles at Maxwell Alexander Gallery... Exhibition opens august 19th!


Friday, April 21, 2017

Jack in the Thicket

study for "Jack in the Thicket" (9x12)

Working on a number of new paintings for my solo show that will open at Maxwell Alexander Gallery in Los Angeles, CA. This "study" above was done in preparation for a larger 24x30 canvas which is now complete but not yet photographed... 

Several more canvases are finished with more in the works: Mexican soldiers, peasant farmers, bandits, smugglers and some western landscapes. 

Show opens August 19th.


Thursday, March 23, 2017

More small sketches from my recent California trip...

 Irvine Sycamores (8x10) o/c

 Irvine Hills (8x10) o/l

 Indian Head at Sunset (12x16) o/l

Cleft in the Rock (12x16) o/l

Saturday, March 18, 2017

Due Diligence in the Desert

 "The Santa Rosa's & Coyote Mountain" (8x10)

I just returned from spending a few days in the Anza Borrego Desert in Southern California. Thanks to some friends who lent me their vacation home and SUV,  I was able to get to places a two-wheel drive car couldn't, and the weather was perfect; sunshine and 85 degrees!

 "Desert Rock Design" (8x10)

Ever since I was a little kid when my grandparents kept a trailer out in Palm Springs, I have had an affinity for the desert; from the sunshine and sand to the colour and expanse. It was not just a trip to collect reference sketches for paintings, but to recharge myself after a long, grey Northwest winter and reconnect with my past...

"Coyote Mountain Sunset" (8x10)

Studying your subject from life is essential, especially when one lives so far from it. I never paint landscapes from photographs, but from life (or from my field studies done from life). It's the only true and accurate way to capture colour, value, perspective and the other sensual aspects of temperature, sound and the whole experience of being there...

 "Desert Mountain Colour" (8x10)

The colour of the desert is the most appealing aspect of painting there -- it is so intense on the mountains at sunrise and sunset, and when coupled with the silence and warmth, it really has an impressing effect! 
  "Fish Creek Passage" (8x10)
I hope to get back there before too long where I can relax from the stress of everyday life and appreciate the beauty of this wonderful & mysterious place!

"Indian Head Mountain" (8x10)

Thursday, February 16, 2017

Magazine Feature!

Thanks to Allan Duerr & Tom Tierney for featuring me in the new March/April 2017 issue of ART OF THE WEST magazine! I also got the back cover with Bonner David Galleries -- on sale now!

 "Interlopers" (24x36) o/c

Thursday, January 19, 2017

Land of My Nativity...

 To quote Thomas Wolfe & Ella Winter (or, The Shangri-La's) "You can never go home again" is apropos to where my mind is at these days.  'Middle-age' is (for me) a time of living in two camps; the here and now & the fond memories of my past... I know not everyone has fond memories of their adolescence, but I sure do...

"The Land of My Nativity" (24x30) oil on canvas

 I grew up in southern Orange County, California when it still had an abundance of citrus groves -- now there are but a scant few. In fact, the neighborhood where we lived in the 70's was built in an orange grove. Today the grove is long gone (as is the bareness of the hills that surrounded that small valley in San Juan Capistrano) but the memories remain; hide n' seek in the grove, building forts in the eucalyptus trees and coming home with our clothes wreaking of orange juice. 

"The Scarlet Conclusion" (9x12) oil on linen SOLD

In recent years when I've gone back to visit as a painter, the anticipation in my mind's eye never matches up with the reality that exists there now. The barren hills & vistas of the early California Impressionists (or even of my youth) have long since been plowed under in the name of urban sprawl. Those images of undeveloped Southern California are only to be found in history books now, or among the paintings of William Wendt, Edgar Payne and Hanson Puthuff from a century ago...

So although 'I can never go home again' literally, I can still revisit those idyllic places of my youth in my minds eye, and on canvas...  AND (as the Shangri-La's would sing) that's called, "Glad" ~

Friday, December 30, 2016


 "Trespass" (30x22) oil on panel SOLD

For my last blog post of 2016 I'd like to wish everyone a healthy, prosperous & PEACEFUL New Year... This past year has been one of ups & downs, encouragement & chaos, and so I am choosing to look forward with optimism and opportunity to contribute where I can to make the world a better place; trust you will too, and hope to see you all in 2017!

"Trespass" (detail)

This allegorical painting, "Trespass" will be available at the L A Art Show thru Maxwell Alexander Gallery, opening January 12, 2017. 

Wednesday, November 16, 2016


 First painting after a 2.5 hour bus ride and a 15 hour plane flight! (10x12) oil on linen

I've just returned from a 10-Day painting trip to southern China -- what an experience! I traveled there with several well-known American & Chinese-American painters. We all stayed together at a hotel in Kaiping, and took daily van trips to out-lying villages and rivers to paint...

 View from bridge in the village of Chikan...

The weather was warm and humid up to the last couple of days when we had a little rain; not bad for November! It was quite smoggy though, with a permanent haze that hung near the horizon and made for beautiful sunrises!

House Boats (10x12) oil on linen

The population of course is huge, even in the smaller towns where we barely squeezed down tight streets filled with market shoppers...

 Residents in the village of Chikan...

It was cultural overload for sure, but pleasant and comfortable as our hosts and drivers made everything accessible and supplied our every need. With all the crowds, driving was chaotic and it was best to not watch as we headed down the 2-lane roads with 3 to 4 lanes of traffic! Cars and even scooters with whole families aboard were a common site...

 Painting in an abandoned village where most all of the residents have moved to the city for jobs, but maintain their village fields for gardening... 

I was mostly fascinated by the quaint house boats that dotted the riversides; a very distinct look to these homes on the water that are unfortunately slated to be done away with if the government has it's way with it's gentrification program...

 Night scene on the river in Kaiping (10x12) oil on linen

We were treated to many fabulous meals with local artists and our hosts from the Kaiping Art Museum. Every day was divided between eating, painting and eating again in various restaurant locales...

 A wonderful lunch and dinner was put on by the owner of an art school out in the countryside...

while we were the only white westerners in sight, the locals were always friendly and curious toward us; these people seem to smile all the time! 

 A visit to a local middle school and all the beautiful faces!

 We were thronged for autographs even though we we nobodies!

 "The Chicken Whisperer" (12x10) oil on linen

Like any place, there were both city dwellers and country locals that made up the population; and though poverty was present, they all seemed to be contented and busy just living life -- no cardboard signs at the off ramps or pan-handlers begging for pocket change, and tipping was a no-no...

 Announcement signage at the Kaiping Art Museum...

Our trip culminated with an evening show of our paintings at the Kaiping Art Museum where I sold one and donated another... gifts were presented to us from the Chinese artists and every one was interviewed by local newspapers and television!

House Boats at the Sunset (10x12) oil on linen

I am still processing all that I experienced there, but I do know I would go back again for sure; it was one of the best trips I've ever taken and one that I will treasure for a lifetime!

A typical scene in a rural village of southern China...